Delainey Wyville


artist
art educator

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Contact-

email- Delaineywyville@gmail.com
instagram- @Delainey_Art_Updates

Bio


Delainey Wyville is an artist and art educator from Chagrin Falls, Ohio. She is currently studying at College for Creative Studies in Detroit, Michigan. In 2027 Delainey will receive a BFA in Art Practice, a minor in Jewelry and K-12 Michigan teaching certification.  When not in school she works as an art educator at the Valley Art Center in Chagrin Falls. Her work spans mediums, including sculpture, jewelry and oil painting. Upon graduation she will work as a public school teacher while maintaining a practice focusing on debris and forgotten objects and their capacity to hold memory and identity.


Artist Statement


My practice addresses the residues of everyday life: the remnants, traces, and fragments that remain after moments of contact, use, and relationship have passed. I am drawn to objects that might otherwise be overlooked or discarded: lint, tea, leaves from a familiar walk, small pieces of debris because of the quiet intensity they carry. These materials hold evidence of presence. By collecting and working with them, I attempt to give form to what cannot be preserved fully. I grasp at memory, intimacy, and the emotional energy that lingers after an encounter.
I work through processes of collecting, altering, and re-presenting found materials, allowing the object itself to remain absent while its residue or outline takes its place. Rather than preserving an object or a moment intact, I am interested in what remains after layers of removal: the trace of an interaction, and then the trace left by that trace. Touch, proximity, and use become indirect. I represent them through silhouettes, impressions, compression, or accumulation. These gestures acknowledge the impossibility of holding onto an experience fully, while lingering in the tenderness of trying. The works function as records of contact that have already passed, fragments that hover between evidence and disappearance, presence and absence.

I consider objects through the theory of vibrant materiality. They are not passive vessels but as active participants carrying their own vitality alongside human memory. Collecting becomes an act of care and a way of granting temporary shelter to materials and acknowledging both their personal and autonomous lives.

My work cultivates a sensitivity in viewers. I want them to consider the objects they carry, the traces they leave behind, and the quiet force of the material world around them. By lingering with remnants, I strive to create moments of closeness: to people, to place, and to the subtle, often imperceptible energies that shape how we remember, relate, and exist together.




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